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Exterior of the apse area of the Church of Madonna della Steccata, by Bernardino and Giovanni Francesco Zaccagni, in Parma

Exterior of the apse area of the Church of Madonna della Steccata, by Bernardino and Giovanni Francesco Zaccagni, in Parma


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Exterior of the apse area of the Church of Madonna della Steccata, by Bernardino and Giovanni Francesco Zaccagni, in Parma

Exterior of the apse area of the Church of Madonna della Steccata, by Bernardino and Giovanni Francesco Zaccagni, in Parma Parma Church High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1938. Date of Artwork:1521-1539. Artist:Zaccagni, Bernardino, Zaccagni, Giovanni Battista

Alinari, Fratelli
ACA-F-049207-0000

Media ID 33122180

© Alinari Archives, Florence

Balustrade Cupola Dome Pilaster Strip Two Light Window


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Macropodidae > Parma

> Architecture > Churches

> Architecture > Styles > Baroque Architecture

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Baroque paintings

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art


EDITORS COMMENTS
This photograph captures the grandeur of the exterior apse area of the Church of Madonna della Steccata in Parma. The church, a masterpiece of High Renaissance architecture, was designed by Bernardino and Giovanni Francesco Zaccagni during the years 1521-1539. The image showcases the intricate building elements and decorative sections that adorn this architectural marvel. From the arches to the balustrades, every detail is meticulously crafted to create a harmonious blend of Renaissance and Baroque styles. The capital columns stand tall, supporting an elegant dome that crowns this religious sanctuary. Through one window, natural light streams into the interior space, illuminating its sacred atmosphere. Another window features two lights that add depth and dimension to this magnificent structure. These windows are characteristic of European churches from both the First and Second Millennium A. D. , reflecting centuries of history within their frames. Alinari's photography skillfully captures not only these architectural details but also highlights how time has weathered them over centuries. Taken in 1938, this print serves as a visual testament to both past craftsmanship and present preservation efforts. As we gaze upon this photograph today, we are transported back in time to witness firsthand the genius behind Zaccagni's design. It reminds us that art transcends generations; it connects us with our cultural heritage while inspiring future creations yet to come.

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