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Detail of the Arab Hall, 1870s (photo)

Detail of the Arab Hall, 1870s (photo)


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Detail of the Arab Hall, 1870s (photo)

LGH165203 Detail of the Arab Hall, 1870s (photo) by English School, (19th century); Leighton House Museum, Kensington & Chelsea, London, UK; (add.info.: home of Frederic Leighton (1830-96); tiles by William de Morgan (1839-1917); decoration of Arab Hall inspired by Saracen palace of La Zisa at Palermo, Sicily; work on the Arab Hall began 1877, finished 1881; ); eLeighton House; English, out of copyright

Media ID 22605096

© Leighton House / Bridgeman Images

Arts And Crafts Movement Lord Leighton Moorish Parrot


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > House Mouse

> Arts > Artists > I > Islamic School Islamic School

> Arts > Artists > L > Frederic Leighton

> Europe > Italy > Sicily > Palermo

> Europe > Italy > Sicily > Related Images

> Europe > United Kingdom > England > London > Boroughs > Kensington and Chelsea

> Europe > United Kingdom > England > London > Museums > Leighton House

> Europe > United Kingdom > England > London > Sights > Kensington Palace

> Europe > United Kingdom > England > London > Towns > Chelsea

> Europe > United Kingdom > England > London > Towns > Kensington

> Fine Art Finder > Artists > English School

> Fine Art Finder > Conversation Pieces, Family & Group

> Fine Art Finder > Designs, Plans, Ceilings, Floors &


EDITORS COMMENTS
This print showcases a mesmerizing detail of the Arab Hall, taken in the 1870s. The photograph, captured by an anonymous English School artist from the 19th century, is now housed at the prestigious Leighton House Museum in Kensington & Chelsea, London. The Arab Hall itself was part of Frederic Leighton's (1830-96) residence and served as a testament to his admiration for Middle Eastern art and culture. Decorated with exquisite tiles crafted by William de Morgan (1839-1917), this hall drew inspiration from the Saracen palace of La Zisa in Palermo, Sicily. The meticulous work on the Arab Hall commenced in 1877 and reached completion four years later in 1881. Architect George Aitchison played a pivotal role in bringing this architectural marvel to life. The column featured prominently within this image adds grandeur and elegance to its surroundings. Damascus tiles adorn every inch of this space, showcasing intricate Moorish patterns that pay homage to Islamic artistry. Amidst these stunning details stands a vibrant parrot figurine, adding an element of liveliness to an already enchanting ambiance. This photograph beautifully captures not only Lord Leighton's passion for Middle Eastern aesthetics but also reflects elements of the Arts and Crafts Movement prevalent during that era (1825-1910). Its historical significance makes it a valuable piece within Leighton House's collection while serving as a visual feast for all admirers of fine art and architecture alike.

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